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{"id":2719,"date":"2016-02-27T22:18:22","date_gmt":"2016-02-27T22:18:22","guid":{"rendered":"https:\/\/academyofburlesque.com\/?p=2719"},"modified":"2016-04-24T22:35:13","modified_gmt":"2016-04-24T22:35:13","slug":"wisdom-from-inga","status":"publish","type":"post","link":"https:\/\/academyofburlesque.com\/wisdom-from-inga\/","title":{"rendered":"Opinion: The One The Only Inga"},"content":{"rendered":"

[et_pb_section admin_label=”section”][et_pb_row admin_label=”row”][et_pb_column type=”4_4″][et_pb_text admin_label=”Text” background_layout=”light” text_orientation=”left” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n

Instructor The One The Only Inga<\/a> related some wisdom she’s come to regarding\u00a021st Century Burlesque’s Top 50 list<\/a>, and other awards and accolades in the burlesque world. 21st Century Burlesque picked up the post in their blog, and we’re sharing it with you again, because it’s worth reading!<\/em><\/p>\n

See the original post here:\u00a0http:\/\/21stcenturyburlesque.com\/burlesque-top-50-one-the-only-inga\/<\/a><\/em><\/p>\n

I have by no means lived by these words for my entire career. After spending my first 3-4 years experimenting, I started to create acts that I thought would \u201cget me somewhere\u201d \u2026 and for a while, they did! But a few more years passed, and I realized that I was no longer inspired by my work, and ultimately unhappy. The spark I used to feel when I was on stage was gone. And to make matters worse, it showed up in my performances: there I was, headlining major festivals in other countries \u2026 and completely bombing (if not on the outside, then definitely on the inside) because I just didn\u2019t love what I was putting on stage, and thus I had no love to share with the audience. I was miserable.<\/p>\n

I\u2019ve spent the last two years in a bit of a (ok, actually a MAJOR) performer-identity crisis, reevaluating myself and figuring out what makes me feel happy and fulfilled. I\u2019ve changed my name, rethought my character and my overall look and style, and very slowly come to the realization that I\u2019m too much of a weirdo artist to perform work that I don\u2019t adore\u2013I have to feel connected to it, or else I\u2019m unhappy and just don\u2019t perform well.<\/p>\n

\n

\"The<\/p>\n

The One and Only Inga in the Viva Las Vegas 2015 burlesque showcase. \u00a9Tim Hunter<\/p>\n<\/div>\n

When this year\u2019s Burlesque Top 50 came out, I wasn\u2019t expecting to be on it and wasn\u2019t surprised when my name wasn\u2019t there. I haven\u2019t been on the list for a couple years, and I\u2019d laid pretty low in 2015. But there was something different about how I reacted this time around; I didn\u2019t feel as broken or rejected as I had before. In fact, I felt weirdly ok with the whole thing, and couldn\u2019t quite figure out why. Then it dawned on me: I don\u2019t do what I do to get on the list, or win awards, or even headline shows anymore. I do it because I love it. Simple as that. I exhaled as I realized this and it felt as if the cloud of confusion and doubt that had hung over me for so long suddenly dissolved, and I saw myself clearly for the first time in years. It was a beautiful, eye-opening realization that was SO damn obvious, but of course so hard to see when I was struggling.<\/p>\n

\n

I wasn\u2019t expecting to be on it and wasn\u2019t surprised when my name wasn\u2019t there\u00a0\u2026\u00a0But there was something different about how I reacted this time around; I didn\u2019t feel as broken or rejected as I had before\u2026<\/h2>\n<\/blockquote>\n

A couple of days later I read my friend Sydni Deveraux\u2019s FB post about recognition vs results in burlesque; her words really hit home for me. I saw how many others were affected by her message and seemed to be struggling with the same issues I was. I decided to get over my usual shyness and share the knowledge that had helped me so much. Even if no one read it, it would feel good to put it out there.<\/p>\n

The response so far has been overwhelming, and I\u2019ve received messages of gratitude and love from people within the burlesque community and outside of it. I\u2019m a little astounded by the whole thing. But maybe this is a sign that our little stripper world needs to hear messages like this more often\u2013reminders that we are all, first and foremost, artists. And that our artist souls need to be driven by passion and love, not titles or awards.<\/p>\n

I\u2019m still figuring out what \u201cloving burlesque\u201d means to me, how I want to display that on stage, and who I am as a performer. I suppose that\u2019s what being an artist is all about, right?<\/p>\n

\n

\"The<\/p>\n

The One and Only Inga in CAKE! A Decade of Decadent Dazzle. \u00a9Matt Baume<\/p>\n<\/div>\n

I rarely ever share personal feelings or sentiments on social media\u2013mostly because, though I am a professional naked lady, I\u2019m also a very private, shy person \u2026 I open up on stage, to my amazing wife, and to my closest friends. And that\u2019s about it. I\u2019ve been this way my whole life. I have no problem with anyone else sharing or speaking out online, it\u2019s just not what I do.<\/p>\n

That said, I felt so inspired by Sydni Deveraux\u2019s lovely post yesterday about recognition vs. results in the life of a performer, that I\u2019m actually going to say something about this topic. So here it is:<\/p>\n

Perhaps I\u2019m stating the obvious, but being an artist is fucking hard. You are always working, always struggling \u2026 even when you seem \u201csuccessful\u201d in the burlesque world (crown on your head, notoriety, touring constantly) you\u2019re most likely still broke, your private life is often a disaster, and you have no idea what\u2019s going to happen to you next year, or even next month. Such is the life of artists, and the one I\u2019ve chosen.<\/p>\n

\n

\u2026the competitions, the titles, the Burlesque Top 50 \u2026 we need them. They help bring us together, inspire us to grow, and can remind us that people DO care about what we do, and DO pay attention to our hard work. And that acknowledgement can give you the push you need to keep moving forward and continue wading through the tough life that comes with being an artist.<\/h2>\n<\/blockquote>\n

Because of this, I think that all of the systems of recognition we have in our sparkly community are wonderful: the competitions, the titles, the Burlesque Top 50 \u2026 we need them. They help bring us together, inspire us to grow, and can remind us that people DO care about what we do, and DO pay attention to our hard work. And that acknowledgement can give you the push you need to keep moving forward and continue wading through the tough life that comes with being an artist.<\/p>\n

When you\u2019re included in these systems, it can mean more gigs, more recognition, more of your name in big letters on posters and marquees. And those are wonderful, seemingly glamorous perks to doing what we do. But they\u2019re not why we do it.<\/p>\n

Alternately, when you\u2019re not included in those systems, it is easy to feel broken, forgotten, and a little lost. And it\u2019s also easy to start believing that if you *were* included, you wouldn\u2019t feel that way and things would be better. But let me assure you: as an artist, you pretty much always feel broken\/forgotten\/lost, no matter what.\u00a0Those feelings just get bigger when you\u2019re feeling small.<\/p>\n

That said, those systems are not everything, and they are not the reason why we do what we do. It is the art that is everything.<\/p>\n

At 35, after 11 years in the BQ world, I\u2019m finally in a place where I don\u2019t need anyone else to tell me that I am a real artist or a good performer. I know I am. I am always truly grateful when I hear it (because broken\/forgotten\/lost) but that\u2019s not why I do what I do. I do it because I love it, because the art is everything to me, I am everything when I do it, and I want to create. Acknowledgment will come and go throughout my weird artist\u2019s life, but the art is forever.<\/p>\n

I have failed over and over again in my career due to my own faults and bullshit, far outweighing the number of times I have actually \u201csucceeded\u201d. But because I\u2019ve failed so much, I know without any doubt why I do what I do, outside of our systems of acknowledgment\u2013and that is very powerful. That is something inside me that I will have for the rest of my life. And I am endlessly grateful for it.<\/p>\n

I guess my overall message is this: burlesquers out there \u2026 even if it feels like no one knows who you are or what you\u2019re doing, keep making art. Keep learning and growing, keep being driven by your passion for this bizarre, sparkly, naked form of expression that we adore. Do it because it fills you with light and truth, do it because you love it. It will always be hard, but that\u2019s ok. If being a stripper was easy, everybody would fuckin do it. And not everybody can. But if you do it because you love it, you will make art that you love\u2013and that it is a reward that will fill your hussy\/artist\u2019s soul forever. And who knows? Maybe our systems of acknowledgment will reward you for it, and that would be amazing! If it happens, revel in it. And don\u2019t be afraid to seek out those systems and pursue their rewards; they are good things. But always remember that they are not why you do what you do. You do it because you love it.<\/p>\n

The end.<\/p>\n

xoxo<\/strong><\/em>
\n
The One The Only Inga<\/a><\/strong><\/em><\/p>\n

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